I considered making this post about the banning of Travis Matthews’ 2012 film I Want Your Love to evaluate on a larger scope the overall climate of LGBT media content’s distribution, revealing why it’s so shunned and limited. But, that analysis is maybe a little too much to take on in a simple blog post. Let’s go off the assumption that it’s pretty bad. My friends hear me griping about it all the time, almost to the point of bitterness, so I’ll try to refrain from my usual diatribe. This film is great. I enjoyed it. The ban in Australia of all places, a relatively modern, major area is ridiculous. Yes, it’s explicit. But, even the word “explicit” has an unnecessary taboo meaning. I like that it’s explicit. Too often filmmakers shy away from depicting sex or do it in a sanitized, staged, and unrealistic way. My favorite is hearing someone who thinks he’s a movie critic because he‘s seen Wes Anderson or Darren Aronofsky or Wachowski films make the charge that certain sex scenes are gratuitous. Those “critics” usually come from a prudish place. All the more reason to explore sex in an artistic way to analyze these reservations. What I love about the film is that those scenes aren’t extraneous to the narrative. They are seemingly small but important moments for these characters – scenes that explore them psychologically and propel their lives to change. Travis Matthews could defend the necessity of these scenes in the film to the point of exhaustion, but that would be missing the point. People — straight, anyway — are afraid of gay sex. This ban is a clear indication in the huge double standard (i.e. the counterexamples of straight sex scenes just as explicit receiving an exemption). An exciting movement in queer cinema is happening right now – honest, realistic, and nuanced portrayals of modern gay lives — that won’t reach the audience it could. Lack of circulation and offensive official bans like this reinforce the conditioned wincing at real intimacy between gay people.
This ban is outright censorship. But, aren’t films like this tacitly censored to an extent even without an official block? Some comments have expressed dismay that Australians are denied this film. Those who want to see it and own a computer can see it though. And, even though I luckily don’t live somewhere it’s prohibited by law, I admittedly saw it from an online download. Louisville – a city in the shallow South that’s fairly progressive with an ample arts scene – didn’t screen it anywhere I knew of. And, if they did, it was probably somewhere small for one night only and wasn’t widely advertised. This film only circulates in the festivals, specifically queer/LGBT ones, a niche. For instance, I highly doubt Baxter or Village 8 would ever carry this even for a week given the production company and unrated status. The way the industry is set up is unofficial censorship.
Does this push the boundaries for straight audiences? I can‘t play coy by saying it won’t for many. I’ve recommended Weekend – a film I love so much – to most everyone I know, and gauging those reactions has been interesting. One friend I know said that it was definitely extreme in its sex scenes, not in a bad way, but compared to a movie like Brokeback Mountain or A Single Man. Well, I Want Your Love is a good deal more graphic. But, at the same time, the tone is subdued, a chamber piece about a quiet character going through a reevaluation of himself with his sexual identity, his place in the world, his artistic ambitions, and what his life has meant up until that point as he prepares for a life altering move. It may fall into navel gazing territory, but it’s allowed to b/c gay people can finally navel gaze on screen just as much as someone like Woody Allen does. It’s a beautiful, artful, and poignant piece. I shouldn’t have to say this, but feel the need to because I know people: Straights who are curious, you will absolutely need to go into it with the most open mind you’ve ever had viewing LGBT content, but I encourage it.